John Maus We Must Become the Pitiless Censors of O VINYL

1NOTE Vinyl Records Vinyl LPs Vinyl Record Store » John Maus We Must Become the Pitiless Censors of O VINYL

John Maus We Must Become the Pitiless Censors of O VINYL

Description

Email this to someoneShare on Facebook0Tweet about this on TwitterShare on Google+0Pin on Pinterest0Share on Tumblr0Share on LinkedIn0Share on StumbleUpon0

BBC review
He’s a clever man, John Maus. The Minnesotan’s intellectual arsenal includes degrees in music and philosophy, and he recorded this third album while taking a PhD in Political Science. He’s as much a professional existentialist as he is a synth-pop musician – sorry, composer – and reading his interviews can make your cerebral cortex pulse with befuddlement. And now this: an album that places him at the heart of a discussion about pop eating itself; about how, according to writer Simon Reynolds, pop music is mired in the past and going nowhere fast. Maus, who’s been making music for 20 years now, doesn’t agree. It’s more likely that he shares Rob Young’s outlook. In his book about British folk, Electric Eden, Young posits a theory that visionary musicians learn from the past to imagine a different future. And while the future conjured up by Maus isn’t exactly a utopia of clean energy, daisy chains and loon pants, he does use old tropes to fashion something intoxicating and slap-in-the-face fresh. For a start, We Must Become… will put fewer teeth on edge than Maus’s first two (proper) albums, Songs and Love is Real, did. Just like his old collaborator Ariel Pink managed on his latest album, Maus has given his skewed, jarring, 80s-inspired (The Human League, Gary Numan, Giorgio Moroder, et al) synth-pop a lot of almighty hooks – towering concrete ones that suggest the sound of a 22nd century steel-plated Soviet Bloc – as well as some very old ideas.

It’s an almost absurd mix – a stand-off between taut, bass-driven post-punk, whooshing electro-pop and, thanks to the chants and bleak intoning, Medieval and Gregorian disco. So absurd that aside from tenderly anthemic closer Believer, which sounds like The Horrors in three albums’ time, and the Haunted Graffiti-like Hey Moon, this is dominated by tension and humour. Maus’ deep vocals are more dramatic than a Morrissey hissy fit; the synths, when not phasing and whooshing in pristine arcs, sound as if they’re doing battle with each other (Matter of Fact); Numan’s OTT darkness sits happily next to disco doorbells on Head for the Country; and We Can Breakthrough’s incantations are both Patrick Bateman creepy and agreeably pompous. So wonderfully compelling is it all that it’s easy to miss how seriously impassioned Maus can be – especially on Cop Killer, inspired by Body Count’s song of the same name but about freeing ourselves of our own inner-cops. But as distractions go, taking one step back, several forward is a welcome one.


Track Listing
1 Streetlight
2 Quantum Leap
3 And the Rain
4 Hey Moon
5 Keep Pushing on
6 The Crucifix
7 Head for the Country
8 Cop Killer
9 Matter of Fact
10 We Can Breakthrough
11 Believer

Details
Artist: John Maus
Title: We Must Become the Pitiless Censors of O
Genre: Dance / Electronic
Release Date: 28 June 2011
Attributes: LP ~ Discs:1
Label: Domino
Product Type: Vinyl
Catalogue: 6001
UPC: 801397600114

Reviews

There are no reviews yet.

Be the first to review “John Maus We Must Become the Pitiless Censors of O VINYL”